Introducing our new article series with writer Maha Harada. Dive deeper into the world of pearls through her essays and stories exclusive to Mikimoto.
Vol.7
The lasting cheer
I’ll always be with you.
Don’t forget that, mon ange.
Grandma, who moved to Paris by herself after turning 70, is back in Japan after a long time.
Anju goes to the airport to pick up her beloved grandma.
Part 3
Read Part 2Grandma Tamayo took the framed photo of Perriand and looked at it thoughtfully.
"I was in middle school when I came across Perriand's work at an exhibition, which was held inside a department store in Tokyo. Le Corbusier, Fernand Léger, Charlotte Perriand... Thinking about it now, it was a dreamlike exhibition that brought together works of three magnificent creators. Back then, I had no idea just how incredible these three people were, but when I found out that Perriand was a female architect, my heart started pounding with excitement. Of course, the works themselves were amazing. But for a girl of 13 or so, the fact that a female architect had become famous enough to have her works featured in an exhibition and seen by everyone was more astonishing.
That was when I decided that I would become an architect. I want to become like her, I thought. Not knowing anything about being an architect apart from the fact that they design buildings, I studied like crazy. Then at the university, I enrolled in an architecture degree program at the department of science and engineering, which was dominated by men. Not only that, I was determined to study at the École des Beaux-Arts... Oh, I felt so fortunate that my parents let me do whatever I wanted at a time when women still had little freedom. They told me that if I try at all, I should give it my everything and keep pushing with my chin up. They cheered me on.
Then, when I was 23, on the day I was flying over to Paris, they gave me this necklace. I've been wearing it ever since so that I won't forget their words of encouragement.
A lot of things have happened since then. But the fact that even now, in my eighties, I'm still going strong with my own atelier and my own work desk, makes me so happy.
I found this photo of Perriand in an architecture magazine. It seems like she was a keen climber. She is still in her twenties here... proudly expressing her true self as if to say, I'm ready to take on the future! Of course, with her natural elegance. I want to be like her. She is still my role model, you know."
Grandma Tamayo shared her story as she lovingly caressed the pearl necklace around her neck.
Our car was already reaching the exit of the Metropolitan Expressway. Grandma Tamayo, showing no signs of fatigue from her long journey, chatted cheerfully as she drifted about in a sea of memories spanning roughly 70 years, from when she first saw Perriand's work at the age of 13 to when I visited her in Paris for my internship five years ago.
Right after we started driving, Grandma Tamayo said she wanted to tell me something before we arrived home. I was getting ready to hear her say, I'm moving back from Paris to Japan, but it seems that isn't the case.
We got off the expressway and drove along the local roads for a while. A left turn at the next traffic lights, and we will be seconds away from our house. When the car came to a stop at the red light, Grandma Tamayo gently put something around my neck.
What is it?
"It looks great on you. Have a look."
Grandma Tamayo smiled in the rear-view mirror. I stretched up a little to see my neck in the rear-view mirror.
A pearl necklace was gleaming softly, reflecting the city lights outside. Grandma Tamayo chuckled softly just as she did some time ago.
"I will always be with you. Don't forget that and keep going, mon ange."
At the age of 85, Grandma Tamayo stepped down as the head of her firm and passed the baton to the younger generation. Now that she has taken on the role of adviser, she's enjoying a life of leisure and comfort, living alone in an apartment on the banks of the Seine.
Meanwhile, I'm busy working towards my goal of studying at École des Beaux-Arts, taking French lessons and preparing for my entrance exams. The cheer that Grandma Tamayo gave me that day is still with me, shining around my neck every single day.
Maha HARADA
b. 1962 Tokyo, Japan
Based between Tokyo, Paris, Kyoto, and Nagano, Maha Harada is a creative visionary and exceptional storyteller who has produced world-class, category-defying writing.
Harada is one of the founding curators of Tokyo’s acclaimed Mori Art Museum; when it was established, she was sent to represent the Museum as a project researcher at its principal cultural partner, The Museum of Modern Art, New York. It is for this reason that Maha Harada is renowned as Japan’s leading creator of art novels and art entertainment.
She is among Japan’s most talked-about writers and creatives, and her extraordinary experiences give her an unparalleled ability to blend art and literature. Harada’s art novels journey into the past to breathe fresh life into some of the world’s most beloved artists, who still enchant countless people today. These stories transcend time and generation crossing the boundaries of nation and region. At the same time, they are rooted in the experiences of a woman born and raised in Japan.
Back
Back to "Everything in harmony"