Our jewellery designers inherit a tradition of jewellery making with a over a century of history
At Mikimoto, all new jewellery designers start by tracing drawings of existing products to learn the fundamentals. In this way, they learn and inherit our tradition of jewellery making with their own two hands. Once the most promising drafts are selected, our designers paint them using fine-point brushes and traditional Japanese ink, followed by watercolor paints and colored pencils to create light and shadow. After a lot of hard work, finalized designs look so real that it seems you could reach out and touch them.
Encapsulating the iconic Mikimoto style:the Yaguruma Sash Clip
Exhibited at the 1937 World Exposition in Paris, the Yaguruma Sash Clip is a multifunctional adornment that can be purchased in 12 different configurations. It is an elegant combination of Art Deco and Japanese aesthetics, making use of finishes and decorative techniques that were developed and refined at Mikimoto.
Mikimoto's catalogue, “Pearl,” tells us how Mikimoto defined its style
Mikimoto published “Pearl” between 1908 and 1938. The catalogue was compiled to showcase the history and culture of accessories from a comprehensive perspective. It gained attention for its daring, experimental design and fresh perspective. Design sketches that appeared in the catalogue show how Mikimoto's jewellery designs changed over the years. All the issues are archived at Mikimoto as important historical documents.